Cover of: Literature and the marketplace | William G. Rowland

Literature and the marketplace

romantic writers and their audiences in Great Britain and the United States
  • 230 Pages
  • 3.78 MB
  • English
University of Nebraska Press , Lincoln
English poetry -- 19th century -- History and criticism, Authors and readers -- English-speaking countries -- History -- 19th century, American literature -- 19th century -- History and criticism, Authors and publishers -- English-speaking countries -- History -- 19th century, Books and reading -- English-speaking countries -- History -- 19th century, Romanticism -- English-speaking countries, Authorship -- History -- 19th century, Reader-response crit


English-speaking countries, English-speaking count

Other titlesLiterature & the marketplace
StatementWilliam G. Rowland, Jr.
LC ClassificationsPS590 .R68 1996
The Physical Object
Paginationxiii, 230 p. ;
ID Numbers
Open LibraryOL995236M
ISBN 100803239181
LC Control Number96033836

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Literature and the Marketplace addresses one of the great ironies of nineteenth-century British and American literature: the fact that authors of that era, in voicing their alienation from middle-class readers, paradoxically gave expression to feelings of alienation felt by those same readers.

As William G. Rowland Jr. points out, romantic writers “thought of the market as conspiring against ‘imagination’ (Blake) or Price Range: $ - $ Additional Physical Format: Online version: Gedin, Per I., Literature in the marketplace. Woodstock, N.Y.: Overlook Press, (OCoLC) Get this from a library.

Literature in the marketplace: nineteenth-century British publishing and the reading practices.

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Paul A. Cantor is Clifton Waller Barrett Professor of English at the University of Virginia. He is the author of The Invisible Hand in Popular Culture: Liberty vs. Authority in American film and is the co-editor, with Stephen Cox, of Literature and the Economics of his interview in the Austrian Economics Newsletter.

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It traces the division in English culture between the prestige values of the aristocracy and the. According to data from Nielsen Market Research, e-books accounted for 16% of all unit sales in the children’s market in the January-September.

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It shows how contemporary literature has been involved in and has responded to creative-economy phenomena, including the presentation of artists as.